![]() ![]() “It works a bit like a puppeteer, with the actor using their whole body to drive the animal avatar.” Hollywood treatment “What we want to do is to look at the movements of the human actor and then use a kind of translator to look at a library of real animal data to make the character on the screen move in a realistic way. #PLANET OF THE APES MOTION CAPTURE GIF SOFTWARE#“At the moment, actors have to walk around on all fours, and the computer software changes them into an animal,” says Martin Parsons, Head of Studio at CAMERA. The team has invited canine residents from the local Bath Cats and Dogs Home to their studio to help collect the motion capture data. Two legs to fourĬAMERA scientists are developing a new technique that will use the movements of a two-legged human actor to drive a four-legged animal character, to make it move in a more realistic way. That’s why researchers are creating a library of movement data from different dog breeds to make animal animations in films and video games more realistic.Ĭomputer scientists from the Centre for Analysis of Motion, Entertainment Research & Applications (CAMERA), at the University of Bath, are looking to automate this process. Shelter dogs get star treatment during a research project to make animal animations more realistic. Scott Easton, Rick Feder, Billy Greenfield, Mark Hansson, Jules Kovisars, Cleve Landsberg, Larry Lerner, Rosemary Marks, Steve Molen, Dennis Murphy, John Rago, David Sanger, Randy Turrow, and Jonathan Zimmerman.A dog's life. Susan Zwerman, Chair Brian Frankish, Co-Chair and members Dustin Bernard, Steve Danton, D. ![]() The day concluded with a Q&A session where all five panelists returned to the stage to answer questions submitted by the audience.ĭGA AD/UPM VFX/Digital Technology Committee The VFX Producer on the production team for Dawn of the Planet of the Apes and the Associate VFX Producer on Rise of the Planet of the Apes, Stafford has worked in Visual Effects for the past thirteen years with credits that include The Incredible Hulk, X-Men Origins: Wolverine, and X-Men: The Last Stand. #PLANET OF THE APES MOTION CAPTURE GIF HOW TO#Ryan Stafford handled the final stand-alone segment that covered how to budget for Performance Capture and gave tips on how to be cost effective in utilizing the process. Root has been pioneering creative motion capture solutions for the entertainment industry for nearly 20 years with credits that include video games, commercials and the feature films A Christmas Carol and Mars Needs Moms. Roberts is a 19-year veteran of the motion capture and virtual production industry whose credits include Ender’s Game, TRON Legacy, and Unchartered. The trio explained the different approaches to the different types of VFX and discussed how the technology has rapidly evolved. The third section of the seminar featured Gary Roberts, John Root and Demian Gordon in an exploration of the techniques and technology of Performance Capture. In addition to the Apes films, Dunne has worked on action sequences for films such as Starship Troopers, Iron Man 3 and X-Men: First Class. Dunne emphasized how important it is for the directing team to be in synch with the VFX team on the set. In the next segment, Mathew Dunne – who served as an Assistant Director on both Rise of the Planet of the Apes and Dawn of the Planet of the Apes – covered the subject of scheduling. He also currently serves as the Chairman of the Motion Capture Society Board of Directors. A pioneer in the field of Performance Capture, Gordon has worked on major feature films, such as Oz the Great and Powerful, The Amazing Spiderman, Jack the Giant Killer, and Dawn of the Planet of the Apes. The panel consisted of 1st AD Mathew Dunne, Performance Capture expert Demian Gordon, VFX Producer Ryan Stafford, Virtual Production Supervisor Gary Roberts and Motion Capture Animation Supervisor John Root.įollowing a welcome from AD/UPM VFX/Digital Technology Committee Chair Susan Zwerman ( Vamps) who also served as moderator, the morning kicked off with a discussion about the history of performance capture and an overview of the techniques involved presented by Demian Gordon. The morning-long event used clips and slides from Director Rupert Wyatt's feature Rise of the Planet of the Apes and other films as illustrations of the techniques involved. On October 12, DGA members in Los Angeles’ DGA Theater Two got an inside look into a cutting-edge technique when the AD/UPM Council West’s DGA AD/UPM VFX/Digital Technology Committee presented the seminar, " Performance Capture!” How To? How Long? How Much? ![]()
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